Brendan Dawes
The Art of Form and Code
Now Becomes Then (2025)

An algorithmic broadsheet to mark twenty five years of brendandawes.com. Available from Produced for Use.

You, Me and the Machine (2022)

Real-time generative work creates compositions based on the proximity of the viewer. Available from Gazelli Art House.

An ongoing artistic practice rooted in generative and automated computational systems, producing works that operate across digital and physical forms.

Find out more about me and feel free to get in touch.

Explore my process blog or browse the complete archive.

Explore the work: data / electronic / web / paper / plastic / pixels / iot / interface / time / memories / ai / everything

Elsewhere you can find me on Instagram or Bluesky and Discord.

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Produced for Use — Limited edition physical objects.

Represented by Gazelli Art House.

2026-02-01 11:09:10 Blog  

That Was The Week That Was — 1st February 2026

2024-12-17 News  

Eno documentary shortlisted for Academy Award

2024-12-17 News  

Eno documentary shortlisted for Academy Award

Available to collect  

Descendants Gen 2

Available to collect  

Persian Dreams

Available to collect  

You Me and the Machine

Nothing Can Ever Be The Same
A 168-hour-long, real-time generative video installation featuring the work of Brian Eno presented at the Venice Biennale.
2023-10-22 16:00:00
Passengers BCN
Physical sculptures created from Barcelona airport passenger numbers during COVID
2023-05-24
Every Year a Sound, Every Sound a Shape
Sound visualisations for legendary sound production house
2017-06-15
2016-02-13
2016-01-11
2015-06-26
2015-06-08
Kennedy
An iPhone app for capturing the now
2013-12-19
2013-06-06
2013-03-08
EE - Digital City Portraits
Commission by EE for the launch of 4G
2012-12-07
2011-05-01
2010-05-01
2009-03-01
2009-01-01
2008-08-01
2007-05-01
2007-05-01
2005-03-01
2004-07-01
2004-03-01
2004-03-01
Cinema Redux
Creating a visual fingerprint of a movie
2004-01-01
1999-03-01